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 EDITORIAL

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 CONTRIBUTION FROM LATIN
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BOOK REVIEWS

- A Journey Through Asia...

- Desaparesidos: The Untold Story of Martial Law

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Launching of AFAD...

 
POEM

- Missing the Disappeared
 

BOOK REVIEWS


Desaparesidos: The Untold Story of Martial Law
A Review of Bautista’s Latest Novel
 

By Darwin Mendiola


Enforced or involuntary Disappearance is a form of terror utilized most often by the state to forcibly make people disappear for one obvious reason: to silence them from speaking out their political opinions, standing and exercising their rights.

Voluminous records of testimonies of witnesses and families of victims have provided the public the first scenario in the drama of this tragic crime against humanity. Victims were seized at their homes, in their offices, or in public places, by men in plainclothes usually armed with weapons but refusing to identify themselves or present a legal proof of arrest. Lives are stolen in the dead of the night or in broad daylight. Victims are spirited off from the world and placed outside the protection of the law, often subjected to torture, and even killed. Many of them are never seen again and their fate and whereabouts remain unknown. Families of the victims are left shattered in despair and suffering and often economically destitute. Their long and agonizing search for their missing relatives usually ends in vain. They are often threatened and cowed to silence in fear of suffering the same fate. Few of the victims who are fortunate to survive or surface after years of vanishing without a trace succumb to the horror of the traumatic experience and try to live a life of forgetfulness.

This grim reality of the untold stories of disappearance is what Lualhati Bautista’s latest novel is all about as it articulates the silence that the victims and their families suffer from this heinous crime which often strips them of their dignity and denies them a normal life as fear becomes their constant companion.

Desaparesidos is the story of two activists, Anna and Roy who lived the horrors of militarization during the martial law years in the Philippines. Their political involvement has cost them the loss of their families who were brutally murdered by the military. They themselves became part of the list of people who were captured and jailed, tortured and raped, killed or made to disappear during this dark period of our history. Like those who are allowed by sheer luck to return to tell their stories, Anna and Roy are able to come back to the world of the living but with dead souls. While love finds its way to share their grief and commitment to pursue their patriotic aspirations, it however fails to transpose their lives from the grip of fear and anguish. When Marcos was toppled by the EDSA uprising, they decided to go back into the mainstream and work in the open as they joined a group of victims that filed a class suit against the former dictator for its gross human rights violations. But even in their valiant attempt to move on with their lives, they are continuously drawn into silence and the pressure to forget the past which, in reality are impossible. While they pretend to live a normal life, their anxiety besets them with the recurring dreams of their traumatic experiences and their lonely struggle against fear. Anna who lost her baby, Malaya, whom she entrusted to Karla, an ex-comrade when her first husband was killed by the military, is torn between finding her missing daughter and trying to be a good mother to her second daughter, Lorena. Roy who is still being haunted by guilt for killing his ex-comrade Jinky, husband of Karla, who turned out to be a traitor and was suspected to be responsible for their capture, is tortured by indecision whether killing a comrade is poetic justice or a mere act of revenge.

As the couple tries to pick up the pieces of what they have left of their lives, the family that they both want to build is slowly crumbling before they know it. The one who suffers more is their child, Lorena, who in her childhood was puzzled by her parents’ frequent absences and was often left by herself in houses of their unknown relatives and friends. As she grew up, she began to harbor ill feelings against her parents, their political work, and the movement that is practically taking them away from her. Malaya, who came back to the country after years of living abroad, finds out about her real mother and searches for her with the primal curiosity to know her origin and the need to be with her. Lorena who grew up and lived with her mother can’t feel her loving presence. The two sisters who are separated by circumstances are bound to face the truth about what her mother and many others have gone through and survived in the course of the unfolding political upheaval and the reality that the new generation of activists like Eman must face to change society.

At first, I thought that Desaparesidos was a mere sequel to Dekada ’70, one of Bautista’s bestselling novels about family conflicts which resulted in coming to terms with martial law. But Bautista has proven that she never loses touch in a way of fascinating her readers by revisiting a period in our history in a literary makeshift. She is truly a master of combining social realism with historical fiction as her story intertwines fictionalized characters with real stories of people.

What is so inspiring in this novel is how Bautista through her characters has been able to show us that anyone, whether a victim, a relative or a concerned individual can do something to fight this imposed silence within us and within society by looking for an inner connection that binds us together to make a world a better place to live in without fears, sufferings and injustices. Bautista knows how to bring her readers from the realm of fiction to the reality of events happening around us. While we are made to believe that Martial Law was a thing of the past and buried in the recesses of our country’s history, Desaparesidos points out that nothing has significantly changed between the period of the Marcos dictatorship and the return to so-called democratic and constitutional system of government as the human rights situation becomes even worse. There are still people who are being killed or made to disappear because they are presumed to be “enemies of the state.” It is carried out in the climate of impunity as no one is yet to be punished from this crime including the abuses committed during martial law. Bautista attempts to relate in the novel’s epilogue the recent outcome of the class suit filed by the victims of martial law which has become an uphill battle.

Today, Claimants 1081, the group of victims of human rights violations during Martial Law, continues to fight on all fronts to seek the reparation that its members deserve.

Although, one may not completely agree with Bautista’s style of storytelling no one can argue with insights that are molded by personal experiences especially in dealing with the dilemma of choosing between family and country which many parent-activists try to avoid. It is not to imply that the love for the family and country are two separate and irreconcilable priorities. What seems to be missing is the understanding that disappearance is more than just the physical absence of a person but what is stolen is the intangible, inarticulate and essential meaning of our existence – as a human person. Thus, disappearance is not just an issue of the victims and their families but also of the society at large as it reflects the failure of the entire social structure to ensure that life must not only be respected and protected but it must also be allowed to grow. In Desaparesidos, Bautista gives the people from inside the movement something to ponder when she suggests that disappearance can also mean the crucial absence of parent-activists in the lives of their children as they pursue their revolutionary goals while attending to their families’ needs.

Desaparesidos is indeed a reminder that we must not allow silence to dwell in us but rather we all must break this silence in order not only to articulate the voice of those who disappeared and their families who are left behind but most importantly to echo our Latin American brothers’ and sisters’ call for the whole world to know…Nunca Mas (Never Again)!


 


Darwin Mendiola is currently the Research and Documentation Officer of AFAD. He has worked in various non- overnment organizations that engage the Philippine government in formulating and implementing policy reforms and institutional change. Darwin is a former media liaison officer of the Laban ng Masa (Struggle of the Masses), a new Philippines Left Coalition under the leadership of ex-UP President, Dr. Francisco Nemenso, Jr. As a former student leader in the Polytechnic University of the Philippines in the early 1990s, he remains an activist in his own right.
 


VOICE December  2008

 

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